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Titlebook: In Excited Reverie; Centenary Tribute to A. Norman Jeffares,K. G. W. Cross Book 1965 Palgrave Macmillan, a division of Macmillan Publishers

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21#
發(fā)表于 2025-3-25 04:47:44 | 只看該作者
22#
發(fā)表于 2025-3-25 10:41:43 | 只看該作者
Lennox Robinsonnging very soon, as the interaction between these fields has provided new insights into both:.Results from Algebraic Geometry permit the construction of codes, which are better than those known before, while very well-known bounds on codes in turn improve Weil‘s bound for the number of points on a c
23#
發(fā)表于 2025-3-25 13:29:48 | 只看該作者
A. Norman Jeffaresnging very soon, as the interaction between these fields has provided new insights into both:.Results from Algebraic Geometry permit the construction of codes, which are better than those known before, while very well-known bounds on codes in turn improve Weil‘s bound for the number of points on a c
24#
發(fā)表于 2025-3-25 18:09:21 | 只看該作者
25#
發(fā)表于 2025-3-25 21:24:48 | 只看該作者
26#
發(fā)表于 2025-3-26 03:16:47 | 只看該作者
27#
發(fā)表于 2025-3-26 08:15:57 | 只看該作者
Passion and Cunning: An Essay on the Politics of W. B. Yeats, and compromisers. Hers was the kind of Irish mind which Yeats could call — when he felt it to be on his side — ‘cold’, ‘detonating’, ‘Swiftian’, or when — as in this case — it was not on his side, ‘bitter’, ‘a(chǎn)bstract’, ‘fanatical’.
28#
發(fā)表于 2025-3-26 11:07:47 | 只看該作者
29#
發(fā)表于 2025-3-26 14:16:04 | 只看該作者
John Butler Yeats, a great civilization and yet was detached from it: as artist, as thinker, as Anglo-Irishman. Yet his virtues were its virtues: his capacity for work, his refusal to specialize, his fundamentally serious-minded approach to poetry and painting, his devotion to his family and his friends, and his firm
30#
發(fā)表于 2025-3-26 20:08:56 | 只看該作者
The Earlier Poems: Some Themes and Patterns,ing the morass of late nineteenth-century romanticism from which the poet’s developing genius eventually rescued him. There is of course some justification for this. The moaning self-indulgence of such a poem as ‘The Sad Shepherd’, the meretricious Orientalism of ‘Anashuya and Vijaya’, and what he h
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