Titlebook: Improvisation in Drama; Anthony Frost,Ralph Yarrow Textbook 1989Latest edition Macmillan Publishers Limited 1989 bibliography.communicatio

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Anthony Frost,Ralph Yarrow attention in relation to medieval conflict. Recent works have looked at PTSD and trauma in the First Crusade, and on the mental impact of military service during the Hundred Years War, but existing studies do not engage with psychological theory in depth, and tend to cherry-pick diagnostic criteria

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Improvisation in Alternative Dramarector, and four actors: Ben Benison, Roddy Maude-Roxby, Ric Morgan and John Muirhead. Primarily interested in comedy improvised in performance, the group had worked together at the Royal Court Theatre, London, in the mid-1960s. They had given lecture-demonstrations to schools and teacher training c

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Preparationmmunicates is expressed through the body, through the conscious and unconscious tensing and relaxing of the musculature, which controls posture, gesture, movement and vocal expression. It follows that, if the body is inappropriately tense, the channels of communication will be interfered with, or bl

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Moving Towards Performance means of experiencing and contacting the world around him. Sight and hearing are crucial, of course, but smell and taste and, particularly, ., are equally important. Sight is the actor’s primary means of spatial location — remove sight (with a blindfold) and the actor has to reorient himself physic

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Applied Improvisation Workue unhelpful,. but this is because his aims are different. We have found this approach most useful in the creation of a consistent piece. It concentrates the attention, and removes distractions, without limiting creativity. It gives the actor something to start with, and to build upon. Given either