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Titlebook: Immersive Embodiment; Theatres of Mislocal Liam Jarvis Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Immersive theatre.Neu

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21#
發(fā)表于 2025-3-25 06:14:19 | 只看該作者
Liam JarvisProvides the first comprehensive examination of how experimental embodiment is being creatively repurposed by artists.Scrutinises the complex ethical considerations involved.Takes a multidisciplinary
22#
發(fā)表于 2025-3-25 09:00:04 | 只看該作者
23#
發(fā)表于 2025-3-25 12:01:15 | 只看該作者
24#
發(fā)表于 2025-3-25 19:09:13 | 只看該作者
,Introduction: Immersion as ‘Perceptual Embodiment’,g Creative Commons technology called .. During this performance, I inhabited a volunteer refugee’s virtual body while hearing their story. This illusion is conceptualized by the artists as a means of ‘increasing empathy’ by visually and proprioceptively occupying the position of the other. But an ec
25#
發(fā)表于 2025-3-25 20:06:39 | 只看該作者
26#
發(fā)表于 2025-3-26 02:21:33 | 只看該作者
The Immersive Promise of e theatre, intermedial and multimedia performance practices, virtual reality/art, video game theory, discourses on participatory theatre and wider digital culture. Through this survey, I will highlight a recurrent onto-relational promise underlying the post-Friedian ‘theatrical’ artwork that we migh
27#
發(fā)表于 2025-3-26 04:52:19 | 只看該作者
28#
發(fā)表于 2025-3-26 10:50:08 | 只看該作者
29#
發(fā)表于 2025-3-26 14:31:26 | 只看該作者
Touching with a Virtualized Hand: Analogue’s sing on the research, development and reception of my company Analogue’s Wellcome Trust funded pilot project .—an interactive installation that invites individual immersants to participate in a first-person simulation of a fictionalized subject living with Young-Onset Parkinson’s disease (YOPD). The
30#
發(fā)表于 2025-3-26 16:52:00 | 只看該作者
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