Titlebook: Imagining the Dead in British Literature and Culture, 1790–1848; David McAllister Book 2018 The Editor(s) (if applicable) and The Author(s

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,Burial, Community, and the Domestic Affections in Wordsworth’s ,ichael’, ‘We Are Seven’, and ‘The Brothers’, and the rapidly modernising world beyond the mountains. To lose the deathways constructed in and around these sites would risk the loss of every good that they conferred: belief in a sympathetic nature, the sense of a place’s distinctive history and signi

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,‘The Feelings of the Living and the Rights of the Dead’: Ethics and Emotions; Bodies and Burial; Go argues that a belief in the progressive potential of legislative change would do much the same a generation later, during the reformist decades of the early nineteenth century. Such a shift—moving away from a drive to remove the dead?from society altogether, and towards a desire to reform and there

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,Death in the Schoolroom: Associationist Education and Children’s Poetry Books,y examining attempts to bring about social reform through?reshaping how children learned about death and the dead. It shows how?educational writers drew upon theories of association psychology to develop a belief that, by policing representations of the dead in the nation’s schoolrooms and nurseries

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Conclusion,ich there are numerous contributory causes. As Thomas Laqueur points out, it is clear that what had once been a ‘a(chǎn) kind of baroque pleasure in imagining the dead as rotting corpses’ was transformed into ‘a(chǎn) horror of such an image’, but to ascribe this simply to a change in attitudes to death ‘hides

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LARK

Book 2018rs (including Wordsworth, Dickens, De Quincey, Godwin, and D’Israeli) believed that influencing the imaginative conception of the dead was a way to either advance, or resist, social and political reform. This interdisciplinary study contributes to the burgeoning field of Death Studies by drawing on

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