Titlebook: Imagining Gender in Biographical Fiction; Julia Novak,Caitríona Ní Dhúill Book 2022 The Editor(s) (if applicable) and The Author(s), under

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Fictional Futures for a Buried Past: Representations of Lucia Joyceever, often these alternative scenarios are tainted by a strong note of escapism. The exceptions include a graphic novel and a set of films, which, thanks to the flexibility of their media, constitute richer recreations of Lucia’s dancing career and depict her mental health struggles more subtly. Re

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From Betrayed Wife to Betraying Wife: Re-writing Katherine of Aragon as Catalina in Philippa Gregory beauty as a site for incestuous threat and opportunity, the construction of her romance with Arthur and their vision for England, and Gregory’s transformation of Katherine’s speech at the Blackfriars court to a literary coda, I explore how the portrayal of Katherine as an incestuous figure limits o

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Jean Plaidy and Philippa Gregory Fighting for Gender Equality Through Katherine Parr’s Narrativeeflect the evolution of feminism and gender equality from the mid-twentieth to the early twenty-first century. The chapter examines how these two portraits of Katherine Parr are anchored in the feminist movements of their respective epochs.

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Australian Women Writing Tudor Lives how these representations write with and back to British models, asking what links are forged between the fictionalised women of the Tudor era and the material postcolonial present. Is this relationship characterised by a sense of “double othering” in time and space (de Groot, . [New York: Routledg

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Biofiction, Compulsory Sexuality, and Celibate Modernism in Colm Tóibín’s , and David Lodge’s ionship with Constance Fenimore Woolson, it is shown that they both read James’s celibacy symptomatically as always either a perversion . or a mask . other sexual identities, not as a sexual, artistic, and political identity in its own right. A historicised queering of Jamesian celibacy beyond sexua

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Stanis?awa Przybyszewska as a Case of Posthumous Victimisation: On the Ethics of Biofictions the demand to follow the “core truths” of the protagonist’s life in biofiction, and what tensions arise between this demand and the author’s right to take creative liberties? Second, the possible solutions to the problem of de-victimisation: can this be achieved without once again violating the pr

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Re-visiting the Renaissance , in Biofiction on Sofonisba Anguissolaare augmented or supplanted by qualities that might be more relatable to contemporary readers. Through this inquiry I also explore possible reasons for the popularity of Anguissola as a protagonist, allowing us to better comprehend how female subjects of biographical novels might be chosen, imagined

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Visceral Biofiction: Herculine Barbin, Intersex Embodiment, and the Biological Imaginary in Aaron Ap very bodily matter that has long been inscribed with gendered meaning—gonads, genitals, tissue, chromosomes—in fact defies categorisation as male or female. Apps’s text thus imbues the queer, gender-non-conforming biographical subject with the capacity to defy a deterministic read.