Titlebook: Images, Perception, and Knowledge; Papers Deriving from John M. Nicholas Book 1977 D. Reidel Publishing Company, Dordrecht, Holland 1977 ar

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conceal

灌輸

To Know Your Own Mind,rmation about mental processes that gives them a sure basis for evaluating theory. Any such discussion today is incompetent. Mind and its activity are as theoretical as the atom, and ideas about their nature must be justified as theoretical ideas are in other fields.

連累

Mental Imagery and the Problems of Cognitive Representation: A Computer Simulation Approach,ures and processes, provides a plausible model of how such knowledge can be represented and organized. Of course, as one moves towards psychologically more sophisticated models, more stringent process criteria for testing the model are imposed.

accrete

Holonomy and Structure in the Organization of Perception,n and Skinner. Each of these faces has left a legacy which can be traced through its descendants and the variety of their modifications, techniques and formal statements of what constitutes psychology, and attests to the vigor of this young science.

Wallow

Can Psychology do Without Private Data?, the nature of the case are directly experienceable by one and only one person. It thereby restricts the evidential basis of psychology to reports of the overt behavior of organisms, plus facts about the physical situation of that behavior.

Tailor

1566-659X ncerning the ‘mechanisms‘ internal to humans and animals which permit perceptual, memory, and problem solving behaviour. One consideration which has enormously stimulated an interest in theories of internal cognitive represen- tation has been progress in the theory and the technology of computing ma

preservative

,What the Mind’s Eye Tells the Mind’s Brain: A Critique of Mental Imagery,e relative merits of several alternative modes of representation (propositions, data structures, and procedures) are discussed. The final section is a more speculative discussion of the nature of the representation which may be involved when people ‘use’ visual images.

娘娘腔

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