Titlebook: Images of Africa in Black American Literature; Marion Berghahn Textbook 1977Latest edition Marion Berghahn 1977 America.Amerikanische Lite

領(lǐng)口

書目名稱Images of Africa in Black American Literature影響因子(影響力)




書目名稱Images of Africa in Black American Literature影響因子(影響力)學(xué)科排名




書目名稱Images of Africa in Black American Literature網(wǎng)絡(luò)公開度




書目名稱Images of Africa in Black American Literature網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Images of Africa in Black American Literature被引頻次




書目名稱Images of Africa in Black American Literature被引頻次學(xué)科排名




書目名稱Images of Africa in Black American Literature年度引用




書目名稱Images of Africa in Black American Literature年度引用學(xué)科排名




書目名稱Images of Africa in Black American Literature讀者反饋




書目名稱Images of Africa in Black American Literature讀者反饋學(xué)科排名

Congeal

The Early Image of Africa,own among the Afro-American poets of that period, i.e. Jupiter Hammon, Phillis Wheatley and George Moses Horton. All three of them were slaves and had been able to publish their poetry only because they lived in particularly fortunate circumstances.

水土

率直

得體

鬼魂

Pan-Africa as a Myth in the Literary Work of DuBois,ld of ideas have stood in the way of an unequivocal critical assessment of him.. The often conflicting means and devices which he used to pursue his aims are confusing, unless one simply sees him as an ‘opportunist’.. But the ‘Paradox of W. E. B. DuBois’. can perhaps be solved by attempting to disco

facilitate

Restenosis

,The Transitional Phase — Time of Scepticism,e in the 1930s. Those who identify the Harlem Renaissance with exoticism and see the white primitivists and patrons as the driving force behind the movement, argue that it experienced ‘a(chǎn) spectacular demise’.. What is more: the quick collapse is taken as evidence of its superficiality . Others — usua

騷擾

與野獸博斗者