Titlebook: Images and Ideas in Literature of the English Renaissance; Patrick Grant Book 1979 Patrick Grant 1979 English.English literature.literatur

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Obedient

Ischemia

antidote

The Matter of Roots: Belief, Images, and Bodies,lgia’ itself derives from two Greek words, . (return home) and . (pain); it indicates home-sickness, a kind of melancholia caused by prolonged absence from where one belongs. It is a central theme of the second Homeric epic, and although the staying-power of a work like the . resists simple explanat

esthetician

The Arms of the Red Cross: Believing in the Images,t by his poetry, and that his hopes were largely disappointed. If, as is likely, the strange and beautiful poem ., . was written between the two volumes of Spenser’s masterpiece, it may well reflect something of its author’s disillusionment with poetry as a means of making a living.. The story tells

莎草

The Tempest and the Magic of Charity: Believing the Images,to belong more to the precise, delicate realm of masque than the dynamic world of drama. Like the island on which it is set, . has a peculiar, hermetically sealed quality,. and one consequence is that the play has especially invited allegorical interpretation as critical ingenuity attempts to chart

嬉耍

Richard Crashaw and the Capucins: Images and the Force of Belief,is sharp division in taste tends to correspond also to a methodological distinction between ‘modern’ and ‘historical’ approaches to his work. To those who read his poems without concern for devotional conventions the images of wounds and mouths and blood and nests are soon revolting and the sense gr

灌溉

vasculitis

jocular

Conclusion. John Norris and Mr Locke: bodies and the uses of imagination,Yet when they do, we have an uneasy feeling that the view typical of one of them has been somehow altered in the other, like the slide of a familiar landscape being projected the wrong way round. Because of Locke’s wide reception (the . became so popular that he thought there must be a conspiracy) a