Titlebook: Image Warfare in the War on Terror; Nathan Roger Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 communicati

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ironic

Conclusion,age warfare in the war on terror because they are still trapped in an outdated techno-war mindset, whereas al-Qaeda, in contrast, seemingly has a better understanding that images are indeed uncontrollable in an image warfare theatre of war.

詳細(xì)目錄

Introduction,is has on the conduct of conflict. I argue that a significant shift has occurred in the relationship between images and the media system which enables their circulation and identify this as a shift from a mass communication system to a rhizomatic communication system. This shift is driven by changes

Commission

團(tuán)結(jié)

創(chuàng)造性

Suicides,tegy. Suicide terrorism might seem an unlikely form of image munition since it is too obviously a physical-force tactic employed by terrorists to gain a military advantage. However, suicide terrorism also contains a powerful symbolic dimension which is exploited by terrorists to manufacture propagan

moribund

Executions,related though distinctive terrorist tactics (hijackings, hostage-takings and hostage executions) which are each symbolically powerful and as such are the source of a number of powerful image munitions. Attention then shifts to discuss the hunt for Uday, Qusay and Saddam Hussein. In turning these in

宣傳

Bouquet

Conclusion,nected to a twentieth-century notion of propaganda, characterized by control and the ‘mobilization of images’) to a rhizomatic media system (connected to the deterritorialized circulation and the ‘weaponization of images’). I have also argued that this has resulted in a paradigm shift from techno-wa