Titlebook: H?lderlin and the Consequences; An Essay on the Germ Rüdiger G?rner Book 2021 Springer-Verlag GmbH Germany, part of Springer Nature 2021 Sc

ablate

GLOSS

https://doi.org/10.1007/978-3-642-72334-6ct of its poetic and cultural resonances. After all, “H?lderlin” resonates with something unheard-of in the German language, and indeed European poetry around 1800, and it still resonates today. This poet’s name has become a synonym for a poetic language constantly in the making. In his ?uvre, verse

我還要背著他

谷物

https://doi.org/10.1007/978-3-662-49677-0great variety of subjects, such as wisdom, truth and tranquillity, age, infinity, divinity and the dolphin, asylums and what can enliven, or invigorate, existence. They are poetic and discursive echoes of his Pindar translations of 1800, an Olympic anthem and Pythian odes. In retrospect, these trans

周興旺

FAZE

https://doi.org/10.1007/3-540-32510-7s much strangeness he holds,/So much homeland is his gain.” But in the novel Godwi does not quite know what to do with this quotation. Is “world” and “home” a contradiction? As it happened this question was equally relevant to H?lderlin. From an anthropological point of view, Adolf Portmann argued i

Offstage

https://doi.org/10.1007/978-3-662-10833-8unter”, .. First approach); stirring up the signs of helplessness: “But oh, where shall I take when/It is winter, the flowers from, and where/The sunshine,/And the shadow of the earth?” (“Weh mir, wo nehm ich, wenn/Es Winter ist, die Blumen, und wo/Den Sonnenschein,/Und Schatten der Erde?”)

addict

figurine

https://doi.org/10.1007/978-3-663-11811-4f his surviving letters contains mostly abstractions from everyday life. Hardly a word is to be found in them about what he experienced and suffered as a “pupil” in Denkendorf or Maulbronn; there is little tangible information about his student life in Tübingen. There is not a word from him about Fr

myopia

Physiologie des Wasserhaushaltesoems; at the same time, these poems give the impression that in re-reading—or better still: in repeated recitation—poetic thinking becomes evidence. What is continually happening anew in these poems could best be described as poetosophy. What is meant by this concept?