Titlebook: Human Interface and the Management of Information. Interacting in Information Environments; Symposium on Human I Michael J. Smith,Gavriel S

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Yoshiyuki Miwa,Shiroh Itai,Shoichi Hasegawa,Daichi Sakuraie laboratory and the studio for instance.. By considering artworks as objects, the socio-material perspective questions the traditional distinction between the sociology of art and art studies. I will therefore begin this chapter by outlining this distinction and by suggesting that it should be tran

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Kazuyoshi Murata,Megumi Nakamura,Yu Shibuya,Itaru Kuramoto,Yoshihiro Tsujinonternationally competitive strategies. At the same time, Czech films and Polish films have attracted sizable audiences in their respective domestic markets, and production facilities located in the Czech Republic and Hungary have become important destinations for the runaway productions of American,

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Seiko Myojin,Mie Nakatani,Hirokazu Kato,Shogo Nishida and performing arts. In this chapter, I consider how creative industries policies might be positioned within studies of production cultures and influenced by policy subventions such as tax credits and urban planning. In my analysis, I want to suggest that policy discourses do not simply attempt to

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Zubeeda Banu Quraishyositories of all that was pure and worthy in their own culture.. In both perspectives, women emerge as unresisting, inert, and passive objects of defining discourses, as people without any control over their lives. On the other hand, where women are discovered in assertive roles, they are either par

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How Participation at Different Hierarchical Levels Can Have an Impact on the Design and Implementative concentration of powers in the secretariat system of governance, has considerably centralized planning and monitoring. Keeping in view the above complexities and challenging conditions this paper tries to understand using case study as a method how participation at different levels affects the de

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