Titlebook: History and Myth in Pictorial Narratives of the Russian ‘Patriotic War‘, 1812-1914; Andrew M. Nedd Book 2024 The Editor(s) (if applicable)

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Art, War, and Empire: A History,ne of the . of 1812 merged with some classical artistic traditions, imported from France, and blended them with the native myths and symbols that defined the modern sense of Russian national identity. Artists such as Terebenev and Ivanov refashioned iconic figures such as the common peasant, the Cos

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Nicholas I: Tsar, Nobility, and People Against Napoleon,utuzov, despite his aristocratic origins, was elevated and the role of popular resistance to the French invader was exaggerated, particularly in the Stalinist era. Dawe’s . (1828) represents a Russian of humble origins (his birthdate, for instance, is not known) who distinguished himself over a long

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,Alexander II and Alexander III: Vereshchagin’s 1812, of imperial power, reflected in the past activity and identity of the monarchy—to find in the Westernized court and monarchy a common past with the Russian people.” As I argued in the previous chapter, Russian representations of the saga of 1812 reflected these changes, particularly in the form of

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Book 2024t. While the emphasis is largely on academic painting, this book also explores popular media and memorialization in order to reveal the role that images played in the process of constructing identities in nineteenth-century Russia..

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Andrew M. Neddtative theory of differential equations". The purpose of the present volume is to present many of the view- points and questions in a readable short report for which completeness is not claimed. The bibliographical notes in each section are intended to be a guide to more detailed expositions and to