Titlebook: Creative License; The Art of Gestalt T Margherita Spagnuolo Lobb,Nancy Amendt-Lyon Book 2003 Springer-Verlag Wien 2003 Intervention.aesthet

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The Aesthetics of Commitment: What Gestalt Therapists Can Learn from Cézanne and Miles Davise, whether it feels positive or negative. This is such a common intervention from Gestalt therapists that it is almost a cliché. If you are a Gestalt therapist, it is hard to imagine a day of private practice going by without your suggesting to this or that client, “Stay with this angry feeling” or

KEGEL

異端邪說2

Embodying Creativity, Developing Experience: The Therapy Process and Its Developmental Foundationws, “assimilating from the environment what it needs for its very growth” (Perls F et al., 1990, p. viii). How the organism incorporates what is vital to its developing is through the creativity of adjusting or the spontaneous interacting of one with another to create something different and new. An

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西瓜

elines for the creative professional practice of gestalt theThe time is ripe, more than fifty years after the publication of the magnum opus by Perls, Hefferline & Goodman, to publish a book on the topic of cre- ativity in Gestalt therapy. The idea for this book was conceived in March 2001, on the i

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https://doi.org/10.1007/978-3-642-59377-2e lived, not just a theory to be talked about, and not merely a specialized approach to psychotherapy. Rather, it was suggestive of a way to be in the world that we had independently discovered to be richer, truer, and more satisfying for ourselves than other paths tried. It offered a means of cultivating “the art of living well”.