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Titlebook: Herrschaft in der modernen Gesellschaft; Zur Bedeutung des Or Michael Bruch Book 2000 Springer Fachmedien Wiesbaden 2000 Gesellschaft.Herrs

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樓主: 板條箱
21#
發(fā)表于 2025-3-25 05:26:28 | 只看該作者
,Entwicklung des Herrschaftsbegriffs — Das Organisationsverh?ltnis als zentraler Modus von HerrschafHerrschaft, so die eingangs formulierte These, ist ein konstitutives Element moderner Gesellschaft. Die Frage nach der modernen Form von Herrschaft bezeichnet damit einen m?glichen Zugang zur Analyse der Struktur und Funktionsweise dieser Gesellschaftsformation.
22#
發(fā)表于 2025-3-25 09:00:50 | 只看該作者
23#
發(fā)表于 2025-3-25 12:02:00 | 只看該作者
bear the hallmarks of “primitive” thinking processes, which in the anthropological tradition have typically been taken to involve various cognitive errors. Here I am going to argue that this misunderstands and misrepresents the content of such thinking, which is by no means as unsophisticated as it
24#
發(fā)表于 2025-3-25 16:36:34 | 只看該作者
25#
發(fā)表于 2025-3-25 20:17:07 | 只看該作者
26#
發(fā)表于 2025-3-26 03:16:12 | 只看該作者
27#
發(fā)表于 2025-3-26 06:00:09 | 只看該作者
Michael Bruch Lynne Barwick. It highlights the animation of both viewer and space and considers text as simultaneously writing and image. Key to the discussion is the animating power of the word and the ways in which entangled bodies depend on media as a data-driven life-form with its own kind of (non-human) con
28#
發(fā)表于 2025-3-26 09:40:46 | 只看該作者
Michael Bruching necessity of reading Māori things (in this case, an installation by Māori artist Terri Te Tau) according to Māori terms of reference: taonga (treasured things), hau (life breath) and mauri (life force). Barnett discusses the limits of this approach for uninitiated viewers. She argues for the abi
29#
發(fā)表于 2025-3-26 16:06:17 | 只看該作者
30#
發(fā)表于 2025-3-26 17:46:15 | 只看該作者
Lynne Barwick. It highlights the animation of both viewer and space and considers text as simultaneously writing and image. Key to the discussion is the animating power of the word and the ways in which entangled bodies depend on media as a data-driven life-form with its own kind of (non-human) con
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