Titlebook: Heroes and Heroism in British Fiction Since 1800; Case Studies Barbara Korte,Stefanie Lethbridge Book 2017 The Editor(s) (if applicable) an

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Jochen Petzoldby contextuality and emotion. Perhaps, therefore, ethics concerning non-human suffering should pay less attention to analytical theories and more attention to the ‘immediate’. However, what this immediate consists of remains an open question. In this section of the book, three potential channels of

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Negotiating Modernity, Modernising Heroes: Heroes and Heroines in Gothic and Sensation Fiction of tf traditional models of the heroic in the late eighteenth to a more inclusive and reworked model in the late nineteenth century. The examples discussed range from Ann Radcliffe’s . and Mary Shelley’s . to Wilkie Collins’s . and Bram Stoker’s .. The gothic tries to overcome the fragmentations of mode

消耗

,Potentially the Noble Creature? Picturing Heroism in Henry Rider Haggard’s ,s to the 1888 book edition, which differ strikingly from the images accompanying the serial publication of . (1886–1887), this chapter argues that the pictorial adds an extra level of signification which complicates the relation to the text. As well as discussing Haggard’s own fascination with the f

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,An Unlikely Hero for the War-on-Terror Decade: Patrick Neate’s ,tion in a postmodern story of London after 9/11. The novel also contours its protagonist, the Ugandan-Indian-English Tommy Akhtar, as a special kind of hero-figure: Akhtar’s heroism lies in his penchant for language, and he stands in for the conviviality of multi-ethnic Britain under threat from the