Titlebook: Hermenegildo and the Jesuits; Staging Sainthood in Stefano Muneroni Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 REGICIDE

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how Hermenegildo became a theatrical trope that allowed the .This book. .explores the cultural conditions that led to the emergence and proliferation of Saint Hermenegildo as a stage character in the sixteenth and seventeenth centuries. It considers how this saint became a theatrical trope enabling

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Introduction,f saints’ roles as intermediary agents between man and God in the Catholic Church. The presence of Hermenegildo in tragedies written in a variety of languages and staged all over Europe and beyond posits questions about the significance he had in embodying and shaping ideological tenets within and w

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Saints, Ideology, and Stage Tropes,of the Catholic Church in the aftermath of the Protestant Reformation. Drawing on the notion of metaphor as a device capable of expanding the creative potential of language, the author focuses on how Hermenegildo functions as a trope whose sociocultural relevance exceeds the immediate story of a med

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The Journey of Hermenegildo from Historical Character to Theatrical Protagonist, each show that the life of this saint was an object of contested truths before and immediately after his martyrdom in 585 A.D. Was he a true Christian or a cunning profiteer? A saint or a criminal? The Society of Jesus’ selection of the story of Hermenegildo 1000 years after he died raises question

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Hermenegildo in Spain: Performing Dogmas and Political Theory, prolific Lope de Vega, this chapter analyzes the foundational traits of Jesuit drama, including its connection to the study of rhetoric and its essential role in providing training for religious and secular careers. It also showcases the differences and similarities between religious teatro de cole

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