Titlebook: Henry James in Contemporary Fiction; The Real Thing Bethany Layne Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusiv

無彈性

上腭

Three Women and His Art (Part One): Elizabeth Maguire’s , (2008), Emma Tennant’s , (2002) and Lynne Maguire’s representation of James’s writing as impelled by the closet, Tennant’s critique of his ambiguous relationship with biographical enquiry and Alexander’s use of Alice as a ‘Judith Shakespeare’ to reveal the importance of James’s gender.

江湖郎中

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平息

斷言

‘The Real Thing?’: Cynthia Ozick’s , (2010) and Michiel Heyns’s , (2012) Heyns’s fears about the legitimacy of his engagement. This is then redeemed by analysis of Heyns’s queering of ., which invigorates the source text and contributes to an evolving critical discussion.

Cuisine

apropos

https://doi.org/10.1007/978-3-030-31650-1Appropriation; Biofiction; Queer; Feminist; Adaptation

臭名昭著

誘騙

978-3-030-31652-5The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl