Titlebook: Hegel and Schelling in Early Nineteenth-Century France; Volume 2 - Studies Kirill Chepurin,Adi Efal-Lautenschl?ger,Ay?e Yuva Book 2023 Spri

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,Cousin’s and Leroux’s Antagonistic Visions of German Idealism,played out, above all, in Leroux‘s .. Cousin and Leroux fundamentally disagree on the ways in which a new, post-revolutionary philosophy should deal with the past and the future, and this disagreement is motivated by their differing reactions to German Idealism. In particular, this study focuses on

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Becoming Cousin: Eclecticism, Spiritualism and Hegelianism Before 1833, itself—and it does so in order to interrogate the various resemblances and divergences between Cousin and Hegel when it comes to determining the relationship between philosophy and the history of philosophy. In particular, the study investigates the difference between the “official” position Cousin

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Ravaisson After Schelling: Purposiveness Without Purpose in Genius and Habit, means of demonstrating an underlying identity of mind and world in Ravaisson’s . and Schelling’s use of aesthetic intuition as a philosophical method in his 1800 .. I argue that what Schelling found in fine art—the work of genius—Ravaisson finds in habit, and from this conclude that Ravaisson offer

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,Line, Vine, and Grace: Ravaisson’s Spiral and Schelling’s Vortex,d thought in their respective philosophies. To achieve this, it considers the role of diagrammatic representation in depicting this link—particularly in the figure of the spiral. I argue that, for Schelling, the spiral is a real pattern that suggests the polarity of the mental and the physical where

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,Hegel’s Aesthetics in Nineteenth-Century France: Charles Bénard’s Translation and Its Reception,1852. In this study, I explore the significance of this publication in the French intellectual landscape of the mid-nineteenth century, particularly in regard to the formation of the discipline of philosophical aesthetics. I do so by asking two questions: First, in view of Hegel’s diverse body of wo

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