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Titlebook: Heavy Metals in Soils; Trace Metals and Met Brian J. Alloway Book 2013Latest edition Springer Science+Business Media Dordrecht 2013 Environ

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樓主: 嚴厲
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發(fā)表于 2025-3-25 07:16:28 | 只看該作者
Brian J. Allowaytative and qualitative terms. Aspects of this development - e.g. rationalization or the world-wide diffusion of Coca-Cola - have been researched, but largely in isolation. .Americanization of the European Economy .provides a comprehensive yet compact survey of the growth of American economic influen
22#
發(fā)表于 2025-3-25 08:45:10 | 只看該作者
Scott D. Younglia, and Israel, in descending order. Availability and comparability of data only permit us to conduct a comparative analysis of emigration to Australia and Israel from the United States, examining factors in motivation, absorption and adjustment, and return migration. Durkheim’s insight that indivi
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發(fā)表于 2025-3-25 13:07:48 | 只看該作者
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發(fā)表于 2025-3-25 19:00:02 | 只看該作者
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發(fā)表于 2025-3-25 20:04:19 | 只看該作者
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發(fā)表于 2025-3-26 00:07:47 | 只看該作者
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發(fā)表于 2025-3-26 05:06:14 | 只看該作者
Wim de Vries,Jan Engelbert Groenenberg,Steve Lofts,Ed Tipping,Maximilian Poschsystem, which he quickly put to rudimentary use on his 1936 feature,?.. Primitive and modern, Hall’s often-maligned contribution to Australian film history needs to be re-examined. This chapter explores the ways this technology was utilized to modernize both production methods and transform the audi
28#
發(fā)表于 2025-3-26 09:16:03 | 只看該作者
last three decades: the “Multiplex Era.” It begins by analyzing the origins of the multiplex concept, its deployment in the US and Australia and its adaptation over time. It then investigates the exhibitors who invested in multiplex cinemas, the distributors who supply films to them, and the close b
29#
發(fā)表于 2025-3-26 16:38:29 | 只看該作者
30#
發(fā)表于 2025-3-26 20:49:44 | 只看該作者
Erik Smolders,Jelle Mertensd 1980s. The most high-profile interviewee is Quentin Tarantino, who alternately celebrates the excess and carnage of these films and credits their impact on his own oeuvre. Rather than focusing on the cultural politics of Hartley’s revision, this chapter examines how Tarantino develops his auteuria
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