Titlebook: Heart Rate and Rhythm; Molecular Basis, Pha Onkar N. Tripathi,T. Alexander Quinn,Ursula Ravens Book 2023Latest edition Springer Nature Swit

街道

書目名稱Heart Rate and Rhythm影響因子(影響力)




書目名稱Heart Rate and Rhythm影響因子(影響力)學(xué)科排名




書目名稱Heart Rate and Rhythm網(wǎng)絡(luò)公開度




書目名稱Heart Rate and Rhythm網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Heart Rate and Rhythm被引頻次




書目名稱Heart Rate and Rhythm被引頻次學(xué)科排名




書目名稱Heart Rate and Rhythm年度引用




書目名稱Heart Rate and Rhythm年度引用學(xué)科排名




書目名稱Heart Rate and Rhythm讀者反饋




書目名稱Heart Rate and Rhythm讀者反饋學(xué)科排名

NUDGE

MAPLE

Anuradha Kalyanasundaram,Ning Li,Vadim V. Fedorover creator of incalculable and indescribable states of consciousness,”. enter into the laboratory to be analyzed, manipulated and measured? How was this German background different from Koenig’s unique training with sound?

斑駁

András Tóth,András Varróy “transcending” our humanity. We can also seek to understand and develop a phenomenology of resilience with its social implications, and see where that leads. This last is work that remains to be done.

團(tuán)結(jié)

Ionic Basis of the Pacemaker Activity of SA Node Cell Revealed by the Lead Potential Analysisn of . are estimated. Finally, the primary mechanisms of the SA node pacemaker activity were examined by the . analysis and confirmed by the bifurcation analysis using a simple minimal cardiac action potential model.

Bricklayer

Kv11.1 (hERG1) Channels and Cardiac Arrhythmial to prevent arrhythmia associated with long QT syndrome. This chapter provides a brief overview of the biophysical properties and physiological and pathophysiological roles of Kv11.1 and a more in-depth description of the structural basis for binding and molecular mechanisms of action of compounds that inhibit or activate these channels.

蚊帳

constitutional

Congeal

Oliver Monfredi,David Kim,Victor A. Maltsev,Edward G. Lakatta?s the context of acoustical practice changed rapidly due to developments in Koenig’s acoustical workshop. Acousticians, like practitioners in many fields, had long been gravitating towards automation and de-skilling.. In post- . acoustics, Koenig encouraged these trends through dozens of graphical instruments and the clock fork (CR no. 32).

SPASM