Titlebook: Heading North; The North of England Ewa Mazierska Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 North.Manchester.urban.Ind

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The North and Europe in , and ,inental) Europe. This strategy pays off, because Europe proves more receptive to their ideas and their art than the national centre. Hence, while the South of England is presented in them as a colonial ‘other’, Europe is seen as a ‘friendly other’.

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The (Global) Northern Working Class: Engels Revisitedunique in the post-industrial landscape of global neoliberal capitalism, where a transnational working class faces precarious employment or long-term unemployment, lack of secure housing, restricted access to decent educational opportunities and stigmatisation within the public sphere.

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Mediating Northern Identities through Visual Heritage: An Unfinished Journeylm archives within the North of England have brought greater visibility of changing patterns of ethnic diversity into their respective collections of moving image. Attention focuses on different initiatives that enable more inclusive understanding of northern experiences and challenge narrowly conce

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To the Cheshire Station: Alan Garner and John Mackenzie’s ,was shot on location in 1977 around Crewe station, Mow Cop and Barthomley church. In ., three narrative lines are brought together in a narrative of transmission and conjunction, where three historical periods intersect through the sensibilities of three young men. Cheshire is presented as a space o

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Screening South Yorkshire: , and ,ith what seem to be the social-realist or even documentary techniques of long shots of rural and urban landscapes alternating with close-ups, filmed using natural lighting and black-and-white footage respectively. Yet the intertwining of thematic and regional concerns in these films is artfully cons

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