Titlebook: Haunted Selves, Haunting Places in English Literature and Culture; 1800–Present Julian Wolfreys Book 2018 The Editor(s) (if applicable) and

convulsion

Afterword,y of the spectral, no programmatic reading of the ghost. Picking up on the figure of singularity introduced in the introduction, and considering the self/other relation, the Afterword returns to the idea of givenness, Jean-Luc Marion’s concept, which surfaces on a number of occasions throughout the

Indicative

English Losses: Thomas Hardy and the Memory of WessexHardy’s poetry and its formations of subjectivity, perception, memory, and the subject’s ability to reconstitute through memory the initial impression and experience of an event, I argue that, in a number of significant ways, Thomas Hardy is readable as a proto-phenomenologist. More than this, I als

平項(xiàng)山

All You Need Is Love? Edward Thomas, Apostrophizing the Othered in the critical drive to historicity and a ‘relevant’ contextualization of literary work. However, poetry demands attention to the singular, in a response to the other that is the voice of the poem. The poem is the trace of a ghost that returns in the act of reading to call the subject who reads.

Encephalitis

electrolyte

不規(guī)則

‘Chewing through your wimpey dreams’: Whimsy, Loss, and the ‘experience’ of the Rural in English Musy as seen specifically through popular musical responses to the hauntedness of loss and melancholy. There were, the chapter argues, strong elements of archetypal manifestations of Englishness, such as whimsy, eccentricity, and nostalgia in relation to idealized and romanticized notions of place, par

canonical

使長(zhǎng)胖

LINE

Audiometry