Titlebook: Hart Crane and the Modernist Epic; Canon and Genre Form Daniel Gabriel Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007

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OREX

The Lyric Mode of ,: The I and the Other,tory to the more complex and tortured world of .. The . cycle of poems he was arranging at his death introduced a grimmer Crane, more ironic, more experienced; and they too were modulated by the unabashed sublime of the later, last poem, “The Broken Tower.”

Odyssey

Book 2007 sublime and history converge in a complex synthesis of form and ideas. The study reconceives Crane‘s achievement by locating him in an intertextual system of production while also recognizing his poetic making of self. Yet in this work Crane assumes a greater political presence than much commentary has entertained.

abreast

s. Crane‘s sublime and history converge in a complex synthesis of form and ideas. The study reconceives Crane‘s achievement by locating him in an intertextual system of production while also recognizing his poetic making of self. Yet in this work Crane assumes a greater political presence than much commentary has entertained.978-1-137-12207-0

ESPY

Book 2007nd‘s The Cantos, Eliot‘s The Waste Land, and Williams‘s Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Crane‘s sublime and history converge in a complex synthesis of form and ideas. The study reconceives Crane‘s achievement by locating him in an intertextual s

BIAS

Conclusion Historical Necessity and the Modernist Epic,tlantis myth in the . and .. According to Plato, Atlantis was blessed by fertile land, and had constructed a great city, including bridges. Its citizens were wealthy, but modestly so, maintaining “a certain greatness of mind” (. 145) and an obedience to their spiritual part. Then calamity struck:

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