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Titlebook: Harpsichord and Lute Music in 17th-Century France; David Ledbetter Book 1987 Palgrave Macmillan, a division of Macmillan Publishers Limite

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發(fā)表于 2025-3-21 17:21:35 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Harpsichord and Lute Music in 17th-Century France
編輯David Ledbetter
視頻videohttp://file.papertrans.cn/425/424381/424381.mp4
圖書封面Titlebook: Harpsichord and Lute Music in 17th-Century France;  David Ledbetter Book 1987 Palgrave Macmillan, a division of Macmillan Publishers Limite
描述The works of the 17th-century French harpsichord composers, the clavecinistes, are among the principal treasures of the harpsichord repertoire. It is a commmonplace of music histories that their style was strongly influenced by contemporary lutenists, yet the assessment of this influence has until now been limited to pointing out a few superficial resemblances. This book is the first comprehensive account of the relationship between the two styles. The nature and extent of the influence can now be seen as much more far-reaching than has been supposed. The clavecinistes adopted many details of lute style, and an understanding of these is essential for the proper performance of their works. More importantly, the lute style opened up the possibility of an entirely new expressive dimension in the playing of the harpsichord; in exploring this the clavecinistes evolved a style which dominated European keyboard music in the 17th-century, and provided a basis for the subsequent development of idiomatic keyboard style.
出版日期Book 1987
關(guān)鍵詞Europe; France; French; harpsichord; keyboard instruments; music; nature; performance; play; style; understand
版次1
doihttps://doi.org/10.1007/978-1-349-64014-0
isbn_ebook978-1-349-64014-0
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1987
The information of publication is updating

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Basic Features of Lute and Keyboard Styles,ect of an aesthetic which favoured asymmetry and unpredictability above all else. But this was not a self-generating, independent development of the Baroque: the . has its roots in the technique of Renaissance lutenists, in a style which had a common currency throughout Europe in the 16th century.
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The Relationship of Original Harpsichord Repertoire to Lute Style,yboard music of French aspect does indeed appear in non-French sources, and it indicates a new style parallel to the lute’s from around 1620. But the few pieces described here are all that is known from the ‘lost’ period of French harpsichord music between Attaingnant’s prints of the 1530s and the publications of Dumont from 1652 onwards.
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aeroponics, and polymer farming), the fast depleting rural agricultural landscapes will have to meet most of this overwhelming demand. Do our urbanised societies and economies realise the extent of their dependence on agrarian landscapes for safe and healthy food? Can this dependence help sustain their farmer producers?
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