Titlebook: Hardy’s Influence on the Modern Novel; Peter J. Casagrande Book 1987 Peter J. Casagrande 1987 David Herbert Lawrence.novel.Thomas Hardy.Br

EVICT

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燒烤

Electrolysis

,‘An Undying Underground Stream’: Hardy and John Cowper Powys,ion; for Powys never tired of describing it — in poems, essays and letters, but most particularly in his novels, which appeared between 1915 and 1936. But how Hardy’s influence manifests itself, especially in the five novels of 1925–36 set in Dorest and Somerset, is a complicated question, in part b

憤憤不平

EWER

,‘The Immortal Puzzle’: Hardy and John Fowles, the importance of . to his fiction, Fowles replied: ‘I was brought up really in a French tradition in literature.’. Fowles was quite possibly recalling his work at Bedford School, where French was his favourite subject, as well as his studies at New College, Oxford, where he read French, achieving

變化

,‘The Pathetic Side of the World’: Hardy and Theodore Dreiser,ost, E. A. Robinson, Carl Sandburg and Theodore Dreiser, cabled Hardy to wish him well and to express gratitude for his ‘living contribution to our literature’. The word ‘living’ was an appropriate one, for ever since June 1873, when Holt and Williams of New York published . in the Leisure Hours ser

讓空氣進(jìn)入

,‘Canst thou be Virgil?’: A Hardy Legacy in the Novel,est in Hardy’s pessimism and almost unanimous rejection of it; great concern with Hardy’s treatment of men and women in love; surprisingly high regard for certain of Hardy’s lesser novels, particularly .; deep respect for his characters, particularly Tess, and an inclination to re-create them; relat

Rinne-Test

tches on ., to the horrible reality show . to every book ever written on advertising, the pitch seems to exude an aura of romance, gladiatorial battle, and excitement. Witness John Hegarty’s florid prose when talking about the pitch: “We love pitching—it brings out our competitive spirit like nothin

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