Titlebook: Haptics: Perception, Devices, Control, and Applications; 10th International C Fernando Bello,Hiroyuki Kajimoto,Yon Visell Conference procee

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Multipoint Vibrotactile Stimuli Based on Vibration Propagation Enhance Collision Sensationision sensation compared with a single-point vibration, and the unnatural condition in which multipoint stimuli containing recorded and unrecorded waveforms degraded the reality of reproduced collision sensation.

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Yuto Sonoi,Yoshihiro Tanaka,Masayoshi Hashimoto,Motoaki Fukasawa,Nobuteru Usuda,Yoshito Otake,Manabu political strategy in the theatre works in conjunction with emotions such as anger and joy through an analysis of two contemporary theatre examples: Alice Birch’s . (2014) and Sh!T Theatre’s . (2016).

Tortuous

Antagonism

Both Fingers and Head are Acceptable in Sensing Tactile Feedback of Gaze Gesturesoke gaze gestures consisting of either one, two, or three repetitions. The results showed that the participants found feedback on both body locations to be equally pleasant and preferred haptic feedback to no feedback. Also, the participants favored feedback that was spatially congruent with gaze movement.

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pantomime

0302-9743 of hardness and softness; haptic devices; haptics and motor control; tactile cues; control of haptic interfaces; thermal perception; robotics and sensing; applications..978-3-319-42323-4978-3-319-42324-1Series ISSN 0302-9743 Series E-ISSN 1611-3349

Mawkish

0302-9743 rence EuroHaptics 2016, held in London, UK, in July 2016..The 100 papers (36 oral presentations and 64 poster presentations) presented were carefully reviewed and selected from 162 submissions. These proceedings reflect the multidisciplinary nature of EuroHaptics and cover topics such as perception

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eils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.978-3-662-38758-0978-3-662-39649-0

mechanism

Mariacarla Memeo,Luca Braydaahre sp?ter in Abkehr vom Opernfilm und seinen weiblichen sowie seinen als effeminiert begriffenen m?nnlichen Stars zum Synonym für den neuen, maskulinen Martial-Arts-Film werden. Und auch King Hu ging in der Folge als Regisseur einiger der herausragenden und inzwischen zu Klassikern avancierten Filme des Martial-Arts-Genres in die Geschichte ein.