Titlebook: Haptic and Audio Interaction Design; 5th International Wo Rolf Nordahl,Stefania Serafin,Stephen Brewster Conference proceedings 2010 Spring

finale

閑逛

桶去微染

expansive

Basic Exploration of Narration and Performativity for Sounding Interactive Commodities-based sound synthesis. The emerging process is based on interpretation, and can represent a novel tool in the education of the future generation of interaction designers. In addition, an audio-tactile paradigm, that exploits the potential of the physics-based approach, is introduced.

reception

Ganglion-Cyst

Cross-Modality Matching of Loudness and Perceived Intensity of Whole-Body Vibrationsbrations (WBV) at various frequencies (50 Hz, 100 Hz and 200 Hz). In these experiments, sounds and vertical vibrations were simultaneously presented to subjects using circumaural headphones and a flat hard seat. In total, 10 participants were subjected to tones with a fixed loudness level (40 phon,

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The Effect of Spatial Disparity on the Integration of Auditory and Tactile Informationr addresses spatial factors involved in the integration of auditory and tactile information. Perceptual threshold values for auditory-tactile spatial origin disparity were measured using tactile information and sound such as those generated by touching (scraping) an abrasive paper. The results of th

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pulse-pressure

Cross-Modal Frequency Matching: Sound and Whole-Body Vibrations etc. Another reason for growing interest in recent years is the importance of the vibrations generated by the performance of music for multimedia reproduction systems. There is a strong relationship between the frequency of the auditory stimulus and the frequency of the tactile stimulus, which sim