Titlebook: Handbook of Detailing; The Graphic Anatomy Ralph W. Liebing Book 2009Latest edition Springer-Verlag Vienna 2009 Construction Drawing.Detai

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Explanation and guidance for individual solutions and everydPREFACE Youdon‘t know; well, how do you know the line is the right In a world of rapid and ever-changingpractices,among design professionals, there is, we feel, a need to at least recall other line at all? times- times more sedate, slower p

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https://doi.org/10.1007/978-3-322-83965-7eration and with ease of resolution. Although too often marginalized, relegated to a low priority, begrudgingly executed and generally maligned, detailing is crucial to have the finished project directly reflect the design concept. To achieve that, it is best a studied, carefully conceived program f

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https://doi.org/10.1007/978-3-8349-3849-7al staffer can fit into any number of roles. It is not a situation where one is cast or mired forever in one position, format or job slot. The practice of architecture finds each and every participant “sliding” around between tasks and contributing in any number of ways— varying from project to proj

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Management des Internet-Einsatzes,d analysis of the situations, pointing out both strong and weak points. Obviously, this process suffers to some degree from not being close to, or fully aware of the circumstances involved. Some portion of the solution or drawing may well have been driven by a hidden, remote, or curious requirement,

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https://doi.org/10.1007/978-3-658-01453-7ill conveys the reason for and the direction of the following discussion. Realizing the need for forensic analysis is not new to the architectural profession, but merely renamed to current vernacular and given more depth and meaning. A form of this process is an enduring element from years back— the

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