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Titlebook: Handbook of Creativity; John A. Glover (Teachers College),Royce R. Ronning Book 1989 Springer Science+Business Media New York 1989 Motivat

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發(fā)表于 2025-3-21 17:10:59 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Handbook of Creativity
編輯John A. Glover (Teachers College),Royce R. Ronning
視頻videohttp://file.papertrans.cn/422/421106/421106.mp4
叢書(shū)名稱(chēng)Perspectives on Individual Differences
圖書(shū)封面Titlebook: Handbook of Creativity;  John A. Glover (Teachers College),Royce R. Ronning Book 1989 Springer Science+Business Media New York 1989 Motivat
描述The motivation underlying our development of a "handbook" of creativity was different from what usually is described by editors of other such volumes. Our sense that a handbook was needed sprang not from a deluge of highly erudite studies calling out for organization, nor did it stem from a belief that the field had become so fully articulated that such a book was necessary to provide summation and reference. Instead, this handbook was conceptualized as an attempt to provide structure and organization for a field of study that, from our perspective, had come to be a large-scale example of a "degenerating" research program (see Brown, Chapter 1). The handbook grew out of a series of discussions that spanned several years. At the heart of most of our interactions was a profound unhappiness with the state of research on creativity. Our consensus was that the number of "good" works published on creativity each year was small and growing smaller. Further, we could not point to a journal, text, or professional organization that was providing leadership for the field in shaping a scientifically sound framework for the development of research programs in creativity. At the same time, we we
出版日期Book 1989
關(guān)鍵詞Motivation; cognition; creativity; happiness; intelligence; interaction; learning; memory; perception; person
版次1
doihttps://doi.org/10.1007/978-1-4757-5356-1
isbn_softcover978-1-4419-3212-9
isbn_ebook978-1-4757-5356-1
copyrightSpringer Science+Business Media New York 1989
The information of publication is updating

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發(fā)表于 2025-3-21 23:45:51 | 只看該作者
Psychometric Issues in the Assessment of Creativityegories of instrumentation to provide the reader with a foundation within which the psychometric issues in the assessment of creativity can be viewed. In the third section, psychometric concerns pertaining to construct validity, content validity, and criterion-related validity are addressed. Subsequ
板凳
發(fā)表于 2025-3-22 02:25:27 | 只看該作者
地板
發(fā)表于 2025-3-22 05:49:52 | 只看該作者
Individual Differences in Creativityght hypothesize other reasons for this state of affairs, we believe the reason for this seeming paradox is as simple as the difference between the terms . and .. As a concept used by laypersons, creativity carries meaning in everyday speech that, although somewhat imprecise, is nevertheless widely s
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發(fā)表于 2025-3-22 10:40:54 | 只看該作者
The Nature-Nurture Problem in Creativityies of collecting objective evidence. A useful attempt was made by Scheinfeld in his book, . (1972), but this was a popular rather than a scientific treatment. A brief account by Zigler and Farber (1985) can also be recommended. In the absence of hard data from tests, sociological surveys, or contro
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發(fā)表于 2025-3-22 13:24:05 | 只看該作者
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發(fā)表于 2025-3-22 17:47:19 | 只看該作者
Cognitive Processes in Creativityuced any work as yet. Sometimes it is used to describe everyday behaviors as, for example, when a nursery school curriculum is said to encourage creative activities, such as drawing or storytelling. In this chapter, I will restrict the meaning of the term in two ways. First, I will be concerned sole
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發(fā)表于 2025-3-23 01:15:20 | 只看該作者
Creativity and Perceptionortance. The ability to “see relationships among elements” is an attribution commonly made toward authors of major scientific discoveries or of noteworthy artistic achievements. For example, Shepard (1978, 1981) documented self-reports from several creative scientists and authors that strongly empha
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發(fā)表于 2025-3-23 03:27:05 | 只看該作者
Memory and Creativityhand. Creative ideas and discoveries often provide new information and perspectives that were not apparent in the past. In contrast, the concept of memory is typically associated with ideas that are not novel or original. Indeed, the act of remembering is an attempt to recreate events and experience
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發(fā)表于 2025-3-23 09:37:31 | 只看該作者
Metacognition in Creativityinvolves the acquisition of knowledge and skills, the transformation of knowledge into new forms, and the rendering of these forms into a shareable product. Each stage in the process entails cognition. It seems appropriate, therefore, to inquire about a cognitive model of creativity. In one way or a
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