Titlebook: Hamlet and Emotions; Paul Megna,Bríd Phillips,R. S. White Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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https://doi.org/10.1007/978-3-030-71266-2rn of linkings and doublings. While the Ghost wears different costumes in different scenes, Claudius always looks the same, but talks differently to each person he speaks to, thinking himself into their heads. His complexity and emotional intelligence make this his tragedy as well as Hamlet’s.

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https://doi.org/10.1007/978-1-349-20468-7), Heiner Müller’s . (1977), and my own . (2009). These plays explore to varying degrees some of the principal themes raised in Shakespeare’s text—particularly questions of power, subjectivity, Hamlet’s presumed inertia, and those frequent misogynistic outbursts expressed by the protagonist.

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‘For by the Image of My Cause, I See / The Portraiture of His’: , and the Imitation of Emotionpondence can involve emulation as well as imitation. The chapter argues that the emotional competition between the characters within these texts resembles the aesthetic rivalry between the authors of these texts. In this way, the period’s fascination with emotional imitation is enacted on a textual or intertextual level.