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Titlebook: Hallucinatory Realism in Chinese Literature; Essays on Mo Yan and Lin Jiang Book 2023 The Editor(s) (if applicable) and The Author(s), unde

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21#
發(fā)表于 2025-3-25 07:20:10 | 只看該作者
22#
發(fā)表于 2025-3-25 09:07:09 | 只看該作者
https://doi.org/10.1007/978-1-4612-3132-5 how Mo Yan uses the rhetorical treatment of three inconspicuous memory elements in the text, which then appear as intergenerational metaphors, ideological fantasy, and memory field, to make the individual memory of Mo Yan and the collective memory of that era clearly visible.
23#
發(fā)表于 2025-3-25 15:40:18 | 只看該作者
24#
發(fā)表于 2025-3-25 16:39:17 | 只看該作者
https://doi.org/10.1007/978-3-642-69129-4s realism and allegory, are taken to extremes. More uniquely, he successfully combined these two strategies by all means and brings out a brand new way, which makes readers focus on the magic among the chapters and feel horrible and amazing.
25#
發(fā)表于 2025-3-25 23:50:19 | 只看該作者
26#
發(fā)表于 2025-3-26 02:06:18 | 只看該作者
Mo Yan and the Chinese Spirit,ch are hard for Chinese to face up. He constructs the characteristics of Chinese tradition and culture, and propagates the wider aspect of Chinese spirit in his works. He displays his merriment and cruelty, openness and floweriness in front of his readers, making him infinitely far away from, but also infinitely close to his era.
27#
發(fā)表于 2025-3-26 06:28:39 | 只看該作者
28#
發(fā)表于 2025-3-26 11:23:15 | 只看該作者
29#
發(fā)表于 2025-3-26 15:03:28 | 只看該作者
30#
發(fā)表于 2025-3-26 16:46:51 | 只看該作者
,Mnemonics: Intergenerational Metaphor, Ideological Fantasy, and Memory Field: A Reading of Mo Yan’s how Mo Yan uses the rhetorical treatment of three inconspicuous memory elements in the text, which then appear as intergenerational metaphors, ideological fantasy, and memory field, to make the individual memory of Mo Yan and the collective memory of that era clearly visible.
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