Titlebook: Haiku and Modernist Poetics; Yoshinobu Hakutani Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009

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The Genesis and Development of Haiku in Japan,s. Poetry by Emerson and Whitman has an affinity with Japanese haiku in terms of its attitude toward nature. Although the exact origin of haiku is not clear, the close relationship that haiku has with nature suggests the ways in which the ancient Japanese people lived on those islands. Where they ca

歡呼

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Yone Noguchi and Japanese Poetics,c school, read Samuel Smiles’s writings on self-help. Perhaps inspired by Smiles, but in any case dissatisfied with his public school instruction, he withdrew from a middle school in Nagoya and went to Tokyo in 1890. At a prep school there he diligently read such Victorian writings as Thomas Macaule

搬運(yùn)工

,W. B. Yeats’s Poetics in the , Play,ism in the Victorian age that directed his attention to the Middle Ages and the world of myths and legends. As he read ., translated by Ezra Pound and Ernest Fenollosa in 1916, he found in them what he would emulate in reshaping his own poetic drama. “In fact,” he wrote, “with the help of these play

monologue

Ezra Pound, Imagism, and Japanese Poetics,ce in the 1910s. Yet imagism still remains a somewhat cloudy topic. Many discussions content themselves with restatements of Pound’s celebrated essay on vorticism, published in September 1914 (“Vorticism” 461–71). Even Hugh Kenner, the most eminent critic of Pound, says, “The history of the Imagist

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,Richard Wright’s Haiku, Zen, and the African “Primal Outlook upon Life”,interested in poetry, especially the haiku. In the 1950s he liked to work in the garden on his Normandy farm, an activity that supplied many themes for his haiku (Fabre, . 447). Of Wright’s other experiences in this period, his travels to the newly independent Ghana in West Africa are also reflected

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,Cross-Cultural Poetics Sonia Sanchez’s ,,e of her death in 1886, only eight of her more than seventeen hundred poems had been published. Richard Wright, as noted earlier, wrote in exile more than four thousand haiku in his last year and half. Yet only twenty-four of them had posthumously appeared in print before the publication of . (1998)

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