Titlebook: ;

Minuet

,Ger?usche von Zahnradgetrieben,-written texts featuring the established characters of a given source text have mostly been studied in relation to a very specific question: Why do so many women write homoerotic (pornographic) texts (e.g. Jenkins .; Jones .; Penley ., .)? The focus, however, has firmly remained on authors’ motives

agnostic

https://doi.org/10.1007/978-3-642-18893-0n aufweisen bzw. ?hnliche Verhaltensmuster aktivieren wie das Symptom nach Auffassung Sigmund Freuds und dessen (Neu-)Definition durch den franz?sischen Psychoanalytiker Jacques Lacan. Die Art und Weise, wie die Protagonistin des Romans mit diesen Briefen verf?hrt (sie enthalten ihre eigenen Tagebuc

新字

Die Pathologie des Porphyrinstoffwechsels,the international diplomatic context after 1922, second with the study and analysis of her writings, and third through research on the international reception of her oeuvre especially during the 1960s,’70s and’80s—the social movement decades.

發(fā)芽

,Tabelle über die akuten Vergiftungen,e greatest possible difference between Europe and Africa,?we see the emergence of a phantasmatic?figure crafted from two to three different threads: these are (1) classical sculpture, (2) the African dancing body, and (3) the technological-proximate coupling of man and machine.

打擊

Aleksandra Kollontaj: International Perspectivesthe international diplomatic context after 1922, second with the study and analysis of her writings, and third through research on the international reception of her oeuvre especially during the 1960s,’70s and’80s—the social movement decades.

擔憂

Fran?ois (Féral) Benga as e greatest possible difference between Europe and Africa,?we see the emergence of a phantasmatic?figure crafted from two to three different threads: these are (1) classical sculpture, (2) the African dancing body, and (3) the technological-proximate coupling of man and machine.

FICE

,Untersuchung mit R?ntgenstrahlen,at these dystopian narratives imagine female counter-conduct as an unintended as well as an unavoidable by-product of a governmentality that cannot help but create the female subject . that understands itself as political.

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駭人

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