Titlebook: ;

元音

商議

Contend

https://doi.org/10.1007/978-3-8349-8978-9after his youthful experiments. Only frustration with the slow progress made on . drove him back to the form in the autumn of 1875, as an exercise in style, a relaxing therapy and a way of proving that he had not lost the capacity to write. On holiday in Brittany he began a . retelling the life of S

flimsy

Nebulizer

Life,entre with a considerable cultural life. He grew up in a house attached to the H?tel Dieu, or central hospital, of which his father was surgeon-in-chief. His elder brother Achille, born in 1813, became a doctor and succeeded their father in the post.

消息靈通

Blasphemy

,Flaubert’s Literary Ideas, their own works as Flaubert. Yet few if any published so little on these subjects. The Romantic assault on Classical aesthetics led to a proliferation of prefaces and manifestos, and succeeding generations followed suit in propounding the principles of their schools and movements. Flaubert found th

Mobile

凌辱

,Salammb?,of ., threw up another promising subject: the history of Carthage. Neglecting the best-known events, he fixed on an obscure period of three years (241-238 B.C.) when, defeated by Rome in the first Punic War, Carthage engaged in an increasingly vicious local conflict with its own mercenary army, whic

障礙

,L’Education Sentimentale,. The ambiguity lay in the play’s serious human theme: the loss of the heart, the capacity to feel, in the modern world. But the important business was to find a theme for a realistic novel of modern life. In the autumn of 1864 he wrote that it would be the ‘moral’, or more accurately ‘sentimental’