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樓主: 海市蜃樓
11#
發(fā)表于 2025-3-23 12:41:49 | 只看該作者
Upscaling Single-Bubble Sonoluminescence,eporting and remained oddly silent given the international outrage against ‘Guantánamo.’ Instead, . privileged and amplified the trials of alleged terrorist Luis Posada Carrilles and the lengthy prison terms of . in Florida, stories that are all but invisible in American public discourse.
12#
發(fā)表于 2025-3-23 16:53:42 | 只看該作者
Hemorrhagic and post-hemorrhagic shock,ps of inside–outside, us–them, and past–future to consider what Guantánamo the homeland and Guantánamo the base mean for Cubans. Exploring the narrative visions and imaginings of artists and culture-keepers, it shows how the turbulent image of ‘Guantánamo’ is transformed in cultural memory on the island and elsewhere.
13#
發(fā)表于 2025-3-23 19:45:17 | 只看該作者
Hemorrhagic and post-hemorrhagic shock,m” and insists that the base, not the prison, is “the original sin.” His responses evince his powerful style as a thinker and writer as they offer detailed insights into how the base and the relationship between Cuba and the U.S.?appear from the perspective of the people of Guantánamo Province.
14#
發(fā)表于 2025-3-24 00:50:01 | 只看該作者
The Many Bodies of Mos Def: Notes for an Unremarkable Poem on Failure,against the backdrop of contemporary police violence against African American men, it explores the limits of representations of violence while also explaining Guantánamo’s hold as a metaphor that links the still-unseen bodies of detainees to the hyper-visible dead bodies of black American men.
15#
發(fā)表于 2025-3-24 04:01:03 | 只看該作者
,Guantánamo and Community: Visual Approaches to the Naval Base,dmund Clark from his series . and ‘El camino de la estrategia,’ a multimedia project by Cuban artists Alexander Beatón and Pedro Gutiérrez, among other visual representations, counter the geographic abstraction and rhetorical hostility that have characterized the base with an exploration of how ‘home’ can take shape.
16#
發(fā)表于 2025-3-24 09:34:14 | 只看該作者
,“Kites” and “Breathing Room,” with?an Introduction by the Author,the land claimed by the U.S. naval base. The second story, ‘Breathing Room,’ is set in Caimanera, the Cuban town closest to the naval base; it describes what happens when a man tries to swim toward the base but is prevented entry?by a U.S. patrol.
17#
發(fā)表于 2025-3-24 12:44:51 | 只看該作者
18#
發(fā)表于 2025-3-24 16:04:03 | 只看該作者
19#
發(fā)表于 2025-3-24 22:53:39 | 只看該作者
20#
發(fā)表于 2025-3-25 00:51:08 | 只看該作者
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