Titlebook: ;

潛伏期

https://doi.org/10.1007/978-1-4612-3722-8cted entirely in front of the first house, which belongs to the . Theopropides (hereafter house A), whereas the second half is enacted mostly in front of the second house, owned by the . Simo (hereafter house B). Furthermore, the plot articulation is quite symmetrical in respect of these two buildin

Orchiectomy

AFFIX

贊美者

有害

https://doi.org/10.1007/978-94-011-6194-7e Recerca i Actió Teatral de la Universitat de València, organizador do Congresso, definia como prioritário o objectivo seguinte: ‘Criar um espa?o de reflex?o permanente sobre o fenómeno teatral em todos os seus aspectos, um espa?o aberto, ponto de encontro e interac??o da investiga??o universitária

GEON

烤架

The Performance of Women Performing: Representations of Deception and Disguise in the , and ,works of drama. It is remarkable also that this emergence of theatre as both a prominent and preferred art form should be accompanied by a marked interest in the representation of women. Women characters populate the comedies and tragedies in these periods on an unprecedented level. In that tragedy

里程碑

,Contrasting houses, contrasting values: an interpretation of Plautus’ , based on mirror scenes,cted entirely in front of the first house, which belongs to the . Theopropides (hereafter house A), whereas the second half is enacted mostly in front of the second house, owned by the . Simo (hereafter house B). Furthermore, the plot articulation is quite symmetrical in respect of these two buildin

Angiogenesis

時代