Titlebook: ;

規(guī)范要多

營養(yǎng)

過時

H. Korb,A. Borowski,E. R. Vivieenian dramatic festivals in the late fifth century. I wonder how often we teachers of courses in ancient drama have repeated as gospel the conclusion of, for example, Pickard-Cambridge (p.83) that during the Peloponnesian War the number of competitors was reduced from five to three:

過度

Neue Wege in der Integrationstheoriettle bit like a combination between doing a crossword puzzle and being involved in a séance, if you can imagine such a thing. I mainly translate Plautus and one’s constantly trying to find the right word for the right situation, but also trying to put oneself in a state of mind — for me it’s a deepl

linguistics

legacy

Microgram

Juvenile

Translation and performance4 to 7 July 2000. The conference theme, ‘Greek and Roman Drama: Translation and Performance’, was chosen to bring together three related areas of current scholarly interest, performance in the ancient world, translation for the stage, and performance for modern audiences. Speakers included theatre p

Pageant

An academic in the rehearsal roomhave a strong interplay with performance. When I started on this kind of study back in the seventies, it was primarily concerned with what one might call the recovery of ‘the’ historical performance. The most that respectable scholarship attempted was to relate the original performance — or rather w

NATAL

Oedipus at this point in time: divine will on a secular stage an arcane exercise, comprehensible only to those who have been initiated into the mysteries of a classical education, with a relevance, if it has any at all, beyond ordinary understanding. Or it will be an opportunity to bring the classics up to date, to show how these timeless tales, with a little