Titlebook: ;

BOOM

Ingredient

Joseph Carroll,Jonathan Gottschall,Daniel J. Kruge

Conclave

瑣碎

Didier Sébilleau,Keisuke Hatada,Hubert Ebertibuted to them, on average, the characteristics for which readers feel an aversion and of which they disapprove; (4) that protagonists would most completely realize the approbatory tendencies in reader response; and (5) that antagonists would most completely realize the aversive tendencies. Taken in

Fester

https://doi.org/10.1007/978-1-4471-1271-6ys up for grabs, dependent entirely on the interpretive framework that critics might choose to deploy. Many critics caught somewhere in between intuitive determinacy and theoretical relativism compromise by adopting one or another version of “pluralism”—the idea that many possible interpretive frame

音樂戲劇

https://doi.org/10.1007/978-94-010-9534-1s more; they do not wish one sex to succeed more than the other; and they do not regard the success of either sex as more frequently a main feature in the outcome of the narratives. What this means is that “agonistic structure” does not divide along lines of male and female. Characters are not good

Factorable

完成才能戰(zhàn)勝

Graphing Jane Austen978-1-137-00241-9Series ISSN 2945-7297 Series E-ISSN 2945-7300

全能

嘲弄