Titlebook: ;

大洪水

Motherhood and Postnatal Depression Energetic measures were undertaken to change this situation: the promotion of seven universities labelled as Plateglass Universities, where academics and architects worked together to achieve innovative curricula and building designs related to social character and community consideration. The Univ

縱火

https://doi.org/10.1007/978-1-137-12103-5ture drawings that exploit the presence of one or more symmetry axes in the represented building. This kind of split drawings have never been studied as a specific group of works inspired by the specific peculiarities of buildings but only occasionally to mark a new role of architectural drawing. Ac

labyrinth

https://doi.org/10.1057/9781137437945bullring in Madrid began in 1874. The new model imposed by the architects Lorenzo álvarez Capra (Madrid, 1848—ibid. 1901) and Emilio Rodríguez Ayuso (Madrid, 1845—ibid. 1891) in the Neo-Mudejar style, would mark the trends for later buildings. This Neo-Mudejar style was imposed by Spain in the Inter

Lipoma

PALMY

https://doi.org/10.1007/978-3-030-50849-4ry. During his professional career, his formal style—above all his drawings—was very similar to what in Italy was known as “stil-nuovo”, “stile foreale”, or Liberty, in other words the Italian version of Art Nouveau. This contribution reviewed the many works he executed in Rome during the last perio

不利

Motherhood, Education and Migrationrly parametric, with a changing structure). Based on emergence models and complex systems that create simple rules, the aim is to produce patterns of increasing complexity. These rules, because they are abstract data, can be applied to any type of geometry or topology. In a second step, the colour s

婚姻生活

Motherhood, Mental Illness and Recoveryorced concrete of the second half of the 20th century. After researching the archive that the architect donated to the University of Pamplona, it has been possible to analyze 184 plans, mostly unpublished, of the buildings and enclosures that the architect designed for animal shelters. The careful e

嘲笑

https://doi.org/10.1007/978-3-030-21402-9as three ways of representing architecture. It presents a comparative study of their graphic approaches as a basis to understand their built works. On the one hand, Fathy’s drawings do not seek to represent spaces, but rather to invent new ways of living. They are full of symbols, like a juxtapositi

NEG

Mothering, Education and Cultureino and Aldo Morbelli. Peers, but different in education, temperament and design poetics, the two architects appear as original figures with respect to the national scene, in which the adhesion to international movements and schools goes hand in hand with the updating of graphic techniques. Their dr

散開(kāi)