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3D Printing, Architectural Heritage and Social Inclusionl point of view, as well as from a purely technical point of view, which will all condition the adaptation of the result. Among these we must identity the difficulty of choosing the scale, the size of the copy and the method used to convey they original to the user, as these are all determining fact

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3D Acquisition and HBIM Modeling of Medieval Architectures in Rome: The Albergo of the Catenaof the 3D data allowed the extraction of plans, elevations and sections. These representations defined the basis for the construction of a 3D BIM model. The data interpretation and simplification of shapes in the BIM environment are subject to critical evaluation, considering the modelling tool’s co

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Digital Mapping and Demographic Challenge: A Case Study of Application in an Andalusian Municipalityeolocate the empty and rehabilitated housing of the municipality. These maps allow to visualize the housing situation of the municipality through graphic diagnosis and could be used to define strategies for the activation of this vacant stock as well as the regeneration of the area.

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Interaction of Graphic Variables in Cognitive Accessibility of Interior Designsgle..This paper analyses five graphic variables in architectural sketches from the ideation phase drawn by renowned contemporary architects, comparing drawing and reality with the aim of extracting conclusions for better cognitive accessibility.

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Affective Urban Landscapes and the Challenge of Their Cartographic Representationmapping urban space, trajectories, and perception is conducted, analyzing their graphical representation characteristics, with the aspiration to establish a methodology of affective cartography that combines some of these approaches.

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Geometric Description of the Vaulted Ceilings of the Renaissance Intervention in the Church of NuestThe geometric analysis of the vaulted ceilings serves to provide various hypotheses on the possible authorship of their designs, relating them to various stonemasons of the time, among whom are two great Masters: Martín de Gainza and Diego de Ria?o. Although it is possible that the designs of the Re