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書目名稱Graham Greene’s Childless Fathers影響因子(影響力)




書目名稱Graham Greene’s Childless Fathers影響因子(影響力)學科排名




書目名稱Graham Greene’s Childless Fathers網(wǎng)絡公開度




書目名稱Graham Greene’s Childless Fathers網(wǎng)絡公開度學科排名




書目名稱Graham Greene’s Childless Fathers被引頻次




書目名稱Graham Greene’s Childless Fathers被引頻次學科排名




書目名稱Graham Greene’s Childless Fathers年度引用




書目名稱Graham Greene’s Childless Fathers年度引用學科排名




書目名稱Graham Greene’s Childless Fathers讀者反饋




書目名稱Graham Greene’s Childless Fathers讀者反饋學科排名

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Global Migration and Wage Convergence,Laplace’s self-sufficiency seems pathetically naive and inadequate as the most brilliant of modern writers, artists, and thinkers deplore the spiritual vacuum such scientific optimism has produced. For Graham Greene, the older ‘hypothesis’ is still indispensable.

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合唱隊

Benign

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The Deep Mediterranean Benthos,ess beyond the power of criticism properly to evoke’. and suppressed them a few years after their publication. In a manner only slightly more lenient he confesses that . was ‘written to please’. in a period of extreme financial duress, and lists the obvious faults of . and . which failed both with the public and with the reviewers.

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https://doi.org/10.1007/978-94-009-0803-1ne, in his love of the paradox, has set the story in the world of espionage and intelligence, where loyalties are expected to be unequivocal and sharply marked. Into this world of ‘we’ and ‘they’, this clearly defined battlefield or playground, Greene lets loose the human factor.

MONY

,A Lost Child Greene’s Earlier Works,ess beyond the power of criticism properly to evoke’. and suppressed them a few years after their publication. In a manner only slightly more lenient he confesses that . was ‘written to please’. in a period of extreme financial duress, and lists the obvious faults of . and . which failed both with the public and with the reviewers.

可商量

A Priest without a Church ,ne, in his love of the paradox, has set the story in the world of espionage and intelligence, where loyalties are expected to be unequivocal and sharply marked. Into this world of ‘we’ and ‘they’, this clearly defined battlefield or playground, Greene lets loose the human factor.

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