Titlebook: Gothic and the Comic Turn; Avril Horner,Sue Zlosnik Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 Comic.En

四溢

HAVOC

persistence

公式

Afterword,thic’, we have offered the selective study appropriate to a book of this length. By focusing on exemplar texts, we have tried to sketch out a rough trajectory of the comic turn in Gothic from . to the 1980s. In so doing, we have concentrated mainly on British writing but have also considered the wor

違反

HACK

978-1-349-41556-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2005

烤架

ear and anxiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Roma

復(fù)習(xí)

Book 2005xiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic perio

Digest

Book 2005hat has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity.

安撫

elganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity.978-1-349-41556-4978-0-230-50307-6