Titlebook: Gothic Romanticism; Architecture, Politi Tom Duggett Book 20101st edition Tom Duggett 2010 Close reading.Coleridge.Romanticism.Samuel Taylo

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https://doi.org/10.1007/978-3-8349-3823-7s to a “l(fā)iege lord” among the “Gothic courts” of Cambridge. And he echoed Edmund Burke’s account of the “Gothic and monkish education” provided in the Universities with an image of the “glorious time” “of old,” when Cambridge’s Gothic regulation of “piety and zeal,” “Spare diet, patient labour, and

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https://doi.org/10.1057/9780230109032Close reading; Coleridge; Romanticism; Samuel Taylor Coleridge; William Wordsworth

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Book 20101st editionevival. Reading a wide range of canonical and raretexts, and spanning the Romantic discourses of architecture, politics, and literary form, the book recovers the collaborative project of Wordsworth, Coleridge, and Southeyfor a purified ‘Gothic‘ poetry and a ‘second Gothic‘ culture.

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Günter Fandel,Antonius Prasiswafy the law. Changing tastes determined that when Henry Bohn printed Gillray’s . in 1851, . was among the “suppressed plates” consigned to a separate supplement (Bohn, ed. 1851, II, pl. 32). But the print’s early audience was almost certainly more amused than scandalized.

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https://doi.org/10.1007/978-3-658-01111-6of this book has been designed to suggest, the Lake Poets were fully engaged in the process by which Britain, with its “l(fā)ove for shows,” was transformed into what Edward Bulwer-Lytton’s . (1831) called “the Staring Nation” (45).