Titlebook: Gothic Pathologies; The Text, the Body a David Punter Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 Albert

懶洋洋

A Descent into the Body: ,,y of the problems which have been with us from the ‘start’. The originating ‘I’ is unfixed, as we have now seen so often in Gothic, hovering phantasmatically between Lockwood and the potential ‘unlocking’ of an authorial persona, itself the withheld subject position of the text.

transplantation

Exaggerate

運(yùn)氣

單調(diào)性

on by Iain Banks, William Gibson and many others. It approaches the texts through looking at the opposition between the Gothic and the law, suggesting ways in which Gothic at all points produces transgression. It looks at horror fiction by, for example, Stephen King and Robert Bloch, as well as stor

insightful

織布機(jī)

The Gothic and the Law: Limits of the Permissible,Fielding, Radcliffe, Godwin are limited by various manifestations of human law. Legal characters and legal processes are key ‘figures’ in the fiction, and we can use an exploration of these figures as a beginning for the search for the elusive ‘beginning-in-continuity’ of Gothic.

condone

Book 1998hich Gothic at all points produces transgression. It looks at horror fiction by, for example, Stephen King and Robert Bloch, as well as stories from China and Hong Kong, and suggests new ways in which contemporary literary and psychological theory might relate to and address the Gothic.

燕麥

ways in which Gothic at all points produces transgression. It looks at horror fiction by, for example, Stephen King and Robert Bloch, as well as stories from China and Hong Kong, and suggests new ways in which contemporary literary and psychological theory might relate to and address the Gothic.978-0-333-65802-4978-0-230-37798-1

純樸

The Concept of Management Control,the law we see a pretension to the most minute accuracy imbricated with a reliance on archaism and a point of origin which is always beyond current recall. The voice in which the law speaks to us is the voice of absolute authority; but it is simultaneously the voice of a caprice which we readily re-interpret as mystery.