Titlebook: Gothic Forensics; Criminal Investigati Michael Arntfield Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Forensics.Gothic Ho

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,“The Mystery of Marie Rogêt”: Holdback Evidence and the Copycat Effect,in the Rue Morgue,” beyond the reprise of the Parisian setting and the return of Dupin as protagonist, the two stories have little to nothing in common. In retrospect, as with many sequels, the subtitling was likely little more than a shrewd branding scheme to align a discrete artistic property with

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,: Criminal Paraphilia and Expert Witnesses,. Even when foregoing the customary analyses of its contributions to the Gothic, . endures today as a paragon of FS. both in theory and in practice, specifically in relation to some comparatively recent trends in criminal investigation, forensic psychological profiling, and even courtroom procedure—

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,: Criminal Responsibility and Psychogeography,not the first text of the Victorian Gothic to draw on the contemporaneous advances in science, industry, and medicine that were attracting both public excitement and scrutiny. Much like Bram Stoker, Robert Louis Stevenson, in his 1886 novella ., once again engages some of the Positivist School depic

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,: Forensic Anthropology and Investigative Countermeasures,n texts in the catalogue of the Victorian Gothic. This is so despite its being the quintessence of a Gothic narrative replete with decaying and haunted settings, secrets and obsessions, wrongful convictions and persecutions, and—not surprisingly—murder. As a horror writer in earnest and as part of a

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