Titlebook: Gloria Anzaldúa’s Hemispheric Performativity; Pieces, Shuffles, La Romana Radlwimmer Book 2023 The Editor(s) (if applicable) and The Author

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https://doi.org/10.1007/978-3-031-21870-5Literature, Gender and Sexuality; Feminism and Feminist Theory; Chicanx; Identity; Materiality; Mexican A

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,Three Museums: “Border Arte’s” Multiplications,e US museum landscape to display Aztec artifacts, and ties it to questions of race and ethnicity of the viewers’ positionalities. Within the framework of native cultural memory, Anzaldúa discusses art work by Yolanda López, Marsha Gómez, Santa Barraza, Liliana Wilson, Malaquías Montoya, Irene Pérez,

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Protoplasmatologia‘ Cell Biology Monographse US museum landscape to display Aztec artifacts, and ties it to questions of race and ethnicity of the viewers’ positionalities. Within the framework of native cultural memory, Anzaldúa discusses art work by Yolanda López, Marsha Gómez, Santa Barraza, Liliana Wilson, Malaquías Montoya, Irene Pérez,

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https://doi.org/10.1007/978-88-470-2065-8or female” (Anzaldúa 2007, 76, original emphasis). To define linguistic processes as unstable and constructed, Anzaldúa pictured young Gloria who started to grasp complex cultural dynamics. From now on, she would regard language as a male discourse which could be altered.