Titlebook: Globalization, Oral Performance, and African Traditional Poetry; Abdul-Rasheed Na’Allah Book 2018 The Editor(s) (if applicable) and The Au

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Ilorin Traditional Poetry in the Context of Bourgeois Aesthetics,This central chapter analyses Ilorin poetry within the constraint of bourgeois aesthetics and defines, with practical and material examples, the situation of traditional and modern instrumentation, language, and thematic focus of . oral poetry.

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A Pact Between the Writer and the Oral Performer,The author makes a case for what he calls a political pact between traditional oral artists and modern African writers in the new global Africa.

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Abdul-Rasheed Na’AllahDetails how globalization impacts African tradition and grassroots communication and how this can be understood from aesthetic and critical perspectives.Combines critical literary theory with textual

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https://doi.org/10.1007/978-3-319-75079-8African Oral Tradition; African Oral Poetry; Ilorin Oral Performance; Ilorin oral Literature; Globalizat

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Hiromitsu Yamagishi,Rigoberto Moncada presents his theoretical framework and defines the major terms and concepts used in the book, explaining where some of them deviate from their traditional connotations. At the end of this chapter, the history, form and status quo of Ilorin social class are discussed and the place of . oral poets es

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African Art and the Crisis of Poverty and Social Divisions in a Global Era, presents his theoretical framework and defines the major terms and concepts used in the book, explaining where some of them deviate from their traditional connotations. At the end of this chapter, the history, form and status quo of Ilorin social class are discussed and the place of . oral poets es

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Conclusion,ural strength and the survival of the poor and the helpless. It argues for a modernization that improves and innovates, from “within the true indigenous values and principles,” insisting that modernization is not westernization.

摘要記錄

Book 2018ds or new bourgeoisie who are largely products of the new global capital and multinational corporations’ socio-political and cultural influences fashion their tastes after western cultures as portrayed in the digital realm.