Titlebook: Globalization and Latin American Cinema; Toward a New Critica Sophia A. McClennen Book 2018 The Editor(s) (if applicable) and The Author(s)

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Zellul?re und farbgebende Elementeepresents the consistent overlap between commercially successful films with political messages that are critical of neoliberalism and funded by it at the same time. This chapter’s three key examples cover two of the often-studied together “three amigos” Mexican directors—Alfonso Cuarón and Alejandro

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Introduction: Toward a New Critical Paradigm for the Study of Culture and Globalization,ies, and film studies—and offers a critical intervention that demonstrates why putting these fields into conversation is productive and revelatory. The goal is to trace out the details of a new critical paradigm for studying globalization and culture via analysis of Latin American cinema. This new p

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天然熱噴泉