Titlebook: Global Voices from the Women’s Library at the World’s Columbian Exposition; Feminisms, Transnati Marija Dalbello,Sarah Wadsworth Book 2023

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The New Woman in the White City: Writing from Great Britain in the Woman’s Building Libraryhat unfolded through the two years leading up to the Fair and the product of a pivotal moment in women’s history on the cusp of transatlantic modernity. It first introduces the women who organized Great Britain’s literature exhibit, including Alice Mary Gordon, Mary Augusta Ward, and Lucy Lane Cliff

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The Norwegian Ideals of Modern Womanhood and Identity Construction through the Women’s Libraryt of the total international collection. Using Edith E. Clarke’s list of Norwegian books from the Women’s Library, I first identified authors’ full names from many identity-concealing pseudonyms provided, then translated titles from Norwegian to English. Items in the collection (mostly books, but al

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The “Native New Woman”: Material Culture and the Indian Novel in the Women’s Library at the World’s ny travel writers who documented their visits to the sub-continent. This Western perspective is contrasted by Krupabai Satthianadhan’s . (1892), which was the only novel written by an Indian woman to be included in the collection. A distant reading focused on identifying forms of the keyword “India”

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From Private Lives to Public Spaces: Nineteenth-Century Peruvian Eclecticism at the Chicago World’s practically absent from the library of the Woman’s Building. Only seven texts, five of them written by Mercedes Cabello de Carbonera (1842–1909) in Peru and all published between 1886 and 1892, were on display. This chapter analyzes three of her novels and addresses how the Peruvian writer played a

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French Authors in the Women’s Library at the World’s Columbian Exposition: A Stage of Feminism, Stilks. At this time the interest in the United States was growing in France. This chapter analyzes the criteria for the choice of the titles, all very recently published at the time, and evokes the careers of the five most selected authors, who sometimes used male pseudonyms. The chapter examines the t

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