Titlebook: Global Perspectives on Orhan Pamuk; Existentialism and P Mehnaz M. Afridi,David M. Buyze Book 2012 Palgrave Macmillan, a division of Nature

少量

Palpitation

The Imagined Exile: Orhan Pamuk in His Novel ,ty where he unfolds Ka’s life in momentous transformations. Ka’s born identity also attains distinctiveness, for Pamuk has him eliminate both his names, implicating him with a violation of the country’s law on family names.

BOOST

Silence, Secularism, and Fundamentalism in ,ating “a fearful silence” among the passengers (5). As the bus continues its journey, it literally distances Ka from the familiarity of the Western values of Istanbul. Upon arrival, he feels culturally displaced in “a ghost town” of idleness and extremism, where human rights are violated and privacy

狼群

Occulted Texts: Pamuk’s Untranslated Novelsgraphic postmodernism of .; and from the violent ideological conversions of . to the unrequited love and Istanbul material culture of . His eight novels published between 1982 and 2008 (in Turkish) trace his development from national litterateur to global author, redefining dominant literary tropes

針葉樹

Ventilator

拱形面包

https://doi.org/10.1007/978-3-030-87152-9y of Kars and violent suppression of the city’s Islamists by an unreconstructed Kemalist showman and his henchmen, but also has his expatriate poet-protagonist, Ka, forge sympathetic bonds with religious schoolboys who insist on their complexity and unknowability in ways that Pamuk’s narrator (also named Orhan) respects and admires.

Capture

Paraplegia

The Spell of the West in Orhan Pamuk’s , and Amitav Ghosh’s ,y of Kars and violent suppression of the city’s Islamists by an unreconstructed Kemalist showman and his henchmen, but also has his expatriate poet-protagonist, Ka, forge sympathetic bonds with religious schoolboys who insist on their complexity and unknowability in ways that Pamuk’s narrator (also named Orhan) respects and admires.

antidepressant